My First Love
I still cannot remember how
and the exact moment I struck up friendship with her, which by degrees,
blossomed into a formidable love relationship. We were in our second year in
university taking a four-year degree course in journalism and mass
communication. Just like her name sake Abishag, who became king David's nurse
when he grew old, her physique was flawless. She was a demure young woman with
dark, inviting almond eyes and cute round cheeks. Her silky black hair almost
touched her naturally well curved hips which progressed downwards to form the
most amazing, shapely legs I had ever seen. Her potent smile and look left me
hypnotized each time she stole ardent glances at me whenever we were in class.
Her charm was ineffable, to say the least.
Initially, I never thought she was interested in me until she
started sitting at a close range from where I used to sit in the lecture hall.
Eventually, she began sitting right next to me. It was undeniable that we
genuinely enjoyed each other's company. The spark of chemistry between us was
organic. If either of us arrived earlier for the lecture, we would reserve for
or wangle each other a seat. This not only spared us time and the inconvenience of having to look for a seat in
case one was late for class, but also ensured we sat next to each other. I was
always thrilled at the prospect of having her beside me. During and after
lectures, we compared our notes and corrected any mistakes and omissions made.
Besides doing our assignments together, the two of us formed discussion groups
for various course units and then invited other members to join us. The move
was all grist to the mill of not only our academic performance but also the
cementing of our relationship.
* * * * * * * *
One Sunday morning when I was leaning nonchalantly on the
balcony of our hostel, Abishag stealthily came from behind, slipped her soft
arms gently round my waist and whispered “I love you, handsome,” into my ear.
“Oh malkia,” I let out a groan as I wrapped her arms tightly around
myself. As she laid her head on my shoulder, I felt her body begin to turn warm
and then suddenly hot. Our breaths quickened. My heart raced as I deeply
inhaled the fragrance of her soft hair, savoring the scent of her body. We were
completely lost into our own world. We would have remained locked in that
unprecedented, blissful moment long enough to go overboard, had I not politely,
albeit reluctantly disengaged from her.
When I turned to face
her, she outstretched her arms, inviting me for an embrace. She gazed deeply
into my eyes and smiled affectionately. The sight of her was breathtaking. She
looked so lovely that I was tempted to instantly draw her into my broad,
muscular chest and hug her tight, but was afraid we would never break away from
our clinch. Instead, I took her hands as I racked my brains to find the right
words to explain, without offending her, why we had to be careful. “Malkia,”
I began, using the Swahili pet name I had given her which means queen, “I've
been crazy for you all this time.” “Then what's the matter with you?” she
asked, with a puzzled look on her face. “We must exercise considerable
restraint,” I continued, “lest we fall into sin.” Having explained myself to
her, we both gradually began to regain our composure.
“But can I at least take a photo of you?” she requested, while
taking out a Canon EOS 650D from her handbag. “Sure, why not?” I agreed, as she
pointed the camera straight at me. It was one of those rare occasions I had
someone take my snapshots. Being a photographer myself, I was accustomed to
shooting subjects as they posed or otherwise for photos, depending on the
nature of the desired image. It therefore felt a little odd being the subject
in this case. Nonetheless, I let her take numerous photos which we thereafter
reviewed together. “How do you create the blurred zoom effect in a photo?” she
needed to know. “Well, there are many ways for doing that,” I recalled from my
practice, “one of which is to zoom while at the same time pressing the shutter release
button.” I showed her the technique of controlling the amount of zoom as the
effect was sometimes too much. We had much fun experimenting with the zooming,
from out to in and the other way round. Besides trying to stop for a split
second through the shots to see what results we would get, we also zoomed out
fast then slowly. “The photos are amazing!” she exclaimed in delight.
“Then,” I went on, “you need to watch out for the light levels
as too much light can over expose the photos, making them come out too light.”
“And how do you go about that?” she asked. I lucidly explained to her how one
reduced the amount of light entering the camera by having the aperture up high
like F32 as it made the hole in the camera lens very small. I also tipped her
on reducing the ISO to 100 as it made the sensor in the camera lens less
reactive to light, thus helping in reducing over exposure. “All the while you
are zooming in and out, ensure you hold the camera securely,” I advised her.
As
we took each other's photos in turns, I also guided her to focus and minimize
the delay between pressing the shutter button, and the camera actually
capturing the picture. “I can't wait to work with you in photojournalism
projects next semester!” she exclaimed. Just then, it struck me how useful
those photos could be in our computer project which required an individual to
create a personal website detailing his or her profile information. We
downloaded the photos from the camera to my laptop and then made an online
back-up of them through the Backblaze online data storage service. Thereafter,
we started working on the project.
The following day, she called me very early in the morning,
supposedly to wake me up and inquire of how far I had progressed with the
computer project. “I'm done with creating the basic structure of your own
project and developing the code for uploading photos.” “That's so sweet of you,
babe,” she remarked, before asking whether we would still go jogging as agreed
on the previous day. I replied in the affirmative: “In fact, I was getting into
my tracksuit when you called.” We set off at a slow but steady pace, gaining
momentum as we went on. It was an exhilarating experience running beside each
other. At one point when she fell short of breath, I offered to hold her hand
as I urged her on. “The slope is too steep for me,” she admitted, and requested
that we stop for a while. But since we were not far from the top and I did not
want the dawn to break before we had returned to campus, I coaxed her into
finishing the rest of the distance. And so did the morning jog ultimately
become a daily routine in our lives.
* * * * * * * *
Besides I being an assistant head of the news department in the
University's radio station and Abishag an editor with the University's
newsletter, we both co-hosted a three-hour gospel reggae show in Swahili. I
still recall her initial discomfort with Swahili but after thoroughly
discussing our primary target audience with her, she sussed out the importance of using it as our broadcast
language. Since she was not as proficient in Swahili as I was, we began by
writing full scripts for the show. Later on, after coaching her extensively, we
settled on using semi scripts. She, in turn, introduced me to the Ge'ez
language in which her father, an Ethiopian detective, was a scholar.
Mr Damise
Asfaw had met Abishag's mother in Kenya while on official duty. After courting
for two years, they had gone to the Ethiopian town of Hosanna where he grew up,
to solemnize their marriage before returning to Kenya. Abishag's paternal
grandfather, a repository of Ethiopia's history, was among venerable relics of
Bishops of the Ethiopian Orthodox Tewahedo Church. Among the things she taught
me was the Lord's prayer which she demanded I recite to her until I had fully
mastered it. Whenever we ate together, we would say the Lord's prayer in Ge'ez
which really intrigued everyone around. This is how it looked like in writing:
Our Father of
heaven hallowed be thy name
ABUNE
ZEBESEMAYAT YITQEDES SIMIKE
Come thy
kingdom be done thy will
TIMTSAE
MENGISTIKE WEIYIKUN FEQADIKE
As it is in
heaven like this on earth
BEKEME BESEMAY
KEMAHU BEMIDR
Our bread of
each day give us today
SISAYENE ZELELE
ILTENE HABENE YOM
Forgive us our
sins and trespasses
HIDIGLENE ABESANE
WEGIGAYENE
As we forgive
who sin against us
KEME NIH’NNI
NIHIDIG LEZE ABESE LENE
Lead us not o
lord into temptation
EETABIANE EGZIO
WUSTE MENSUTE
But deliver us
and save us from all evil
ALA ADHINENE
WEBALIHANE EMKWULU IKUY
For thine is
the kingdom power and glory
ESME ZIAKE
YEITI MENGIST HAYL WESIBHAT
For ever and
ever Selah.
LEALEME ALEM.
The script writing moments were fun-filled. Normally, we
would, in the course of the week, do intensive research on the topic
we chose to discuss on the show. We read books, newspapers and
journals in the library, searched on the Internet and consulted
various people including our friends. After amassing enough
information, we summarized it and then set on preparing the script.
This mostly took place on Fridays afternoon at Abishag's hostel room
where there were lesser distractions and disturbances as compared to
mine. The relatively quiet environment enabled us to record our
rehearsals for the show, edit and package vox pops and interviews we
had conducted. Whenever we did profile an artist, we included our
own exclusive interview with him or her. But in case we didn't manage
to get a one on one interview with artistes, especially international
ones, we downloaded their interviews from the internet and credited
the source and the interviewer.
The very first time we went to the studio, Abishag
could not hide her eagerness to learn how to operate the radio
console. She was deeply perplexed by the many control buttons. “Don't
be intimidated by the controls that govern the console board,” I
reassured her. “It looks so complicated,” she said and then asked
what role it played. “The console board is where all the inputs
come together and get mixed into the final broadcast signal,” I
told her, before continuing, “The important thing is to understand
that every button pushed and every knob turned has a specific
function.” After explaining to her the specific functions of the
various buttons and knobs, I proceeded to demonstrate how they
worked. “As you can see, the board is broken up into columns which
are actually channels. For each channel, you have to select which
input you are going to use.” “Is the input the one you want
broadcast?” she asked. “Certainly yes,” I replied. I loaded a
compact disk in the CD player and activated it.
Then,
I selected the CD input on the board, turned on the channel and
raised the volume bar. She was really intrigued when she heard her
favourite song Mirror
You by
Chevelle Franklyn play. “But you must always watch your volume
level on the indicator,” I cautioned her. “Can't I adjust it to
my preference?”she
posed.
“Yes you can, but for us, we max out the music at the vertical.
Other stations max out at the red point.” I explained. “What
would happen if you exceeded the red point?” she probed. “If you
go past that, you will have crippling, which happens when you are
broadcasting something so loud that the downstream components cannot
handle it,” I explained further. “And how do you turn off the
broadcast?” she queried. “That's simple,” I answered, while at
the same time demonstrating, “You just press the off button beside
the on button. Repressing the on button yields no change.” After
orientation, we got down to airing the show. The target audience's
reception was ecstatic especially after I invited Abishag to
introduce herself and announce she would be my co-host from then
onwards.
* * * * * * * *
Of all the moments we shared together and the new
things I learnt from Abishag, among them crocheting, the most
memorable was when she taught me how to ride a motorbike. It was
during one of the long holidays and she had invited me over to her
place. That is the moment I got to meet and interact with her family
including Wudasie, her twin sister. “So you are the renowned gospel
reggae DJ,” began her mom, as she ushered me into the lounge upon
my arrival. Before I could even answer, she went on, “My daughter
Abishag talks non-stop about you. It is a pleasure to welcome you to
our home.” “Thank you. I'm humbled and honoured,” I answered.
Everyone else seemed pleased to see me except Abishag's dad, but when
he learnt I could play chess, his face lit up and he ordered his
chess board to be brought him immediately. After taking a scrumptious
breakfast which could tempt even the most jaded palate, Mr Asfaw and
I got totally engrossed in playing chess until late in the afternoon
when Abishag came to pick me. “Dad, you need to release Mr DJ so we
can go riding as we had planned,” she requested. At first, he was
reluctant to stop playing but when she insisted, he gave in. “Okay,
okay, he is free to leave,” he said, then turned to me, “I would
be much obliged if you found time to play with me again. You are an
excellent player.” “It will be my pleasure, sir,” I replied, as
Abishag and I left.
When
we got outside, I spotted a Honda CBR 600 parked within the compound.
“Sports bike is the most popular motorbike class,” Abishag
informed me, and then went on, “They not only have fast, powerful
engines, sharp styling and handling, but also bear aerodynamic
fairings.” “Does that mean a novice rider like me needs to be
extremely careful with it?” I had to be certain. “Definitely yes,
since they are built for speed and blistering acceleration,” came
the reply. Then, the lesson began. “Normally,” said
Abishag, “The first thing to
do is warm your motorbike. Currently, the bike is in first gear.”
“Is there any specific purpose of it being in first gear,” I
asked. “Yes there is, so that the motorcycle does not roll
backwards and forwards,” she answered, and then told me to sit on
it. “To get it out of first gear, squeeze in the clutch lever, put
your left foot underneath the gear shifter and lightly lift it up.”
I did as I was told. “It has indicated neutral,” I observed.
“Yes, the bike is now in neutral position,” she confirmed. She
then instructed me to lift the gear shifter to second gear and all
the way to the fifth gear. “Some bikes have sixth gear,” she
remembered.
“To get it back to first gear, put your foot now on
the gear shifter and push downwards, a step at a time, from fifth
gear to fourth, third, second and first,” was my next instruction.
“So, from second gear by pushing the gear shifter down halfway, it
will go to neutral position, right?” I sought confirmation. “Yes,
it will go into neutral,” she replied, and then warned, “Always
pull in the clutch lever when shifting the gear.” Thereafter, we
warmed up the motorbike's engine when it was in neutral position and
I needed to know why it had to be in that position. “If you start
the engine when the gear in not in neutral position,” Abishag
explained, “There is a possibility of crashing, unless you are
holding in the clutch lever.” She then showed me how to actually ride
and brake the bike.
I squeezed in the clutch lever and using my left
foot pushed the gear shifter to first gear. I then eased out the
clutch lever very slowly and at the same time throttled up. The
motorbike started moving slowly. I was elated. Before I could move
far, Abishag hurried to my side and shouted over and above the
engine's noise: “Whenever you are riding in first gear and you hear
the engine start getting loud, that means it's time to shift the gear
up.” “What if I don't?” I quipped. “That can block the
engine, eventually,” she answered. After practicing several times
while she kept an eye on me, I got really confident and even invited
her to ride with me. Without hesitation, she jumped on the
passenger's seat, put her arms around my waist and off we sped.
* * * * * * * *
Three
months after we cleared undergraduate studies, Abishag's family
relocated to Ethiopia when her father was given the mandate of
heading the Worldwide Detectives Network in Ethiopia. At the airport
during their departure, Abishag and I almost caused drama when we
clung to each other and refused to let go. But when Mrs Asfaw finally
separated us by pulling away her daughter from me, we vowed eternal
love, to keep in touch and visit each other regularly. A fortnight
later, Mr Asfaw called to inform me that Abishag had been involved in
a grisly road accident that occurred at a place in the western part
of Addis Ababa, locally known as 18 Mazoria in
Kolfe Kerayo sub-city of metropolis. She and three other survivors
had been taken to Bethzatha hospital where they were still
recuperating from heavy injuries. I was distraught on hearing the
tragic news and no sooner had he finished speaking than I was alarmed
at the prospect of losing her. I resolved to go and see her
immediately.
This would be my second visit to Ethiopia. The first
one was when my elder Rastafarian brother insisted on taking me with
him to Shashamane during his pilgrimage, despite our parents'
protest. I was only six then. When the Ethiopian Airline I had
boarded touched down on Bole International Airport, I jostled fellow
passengers toward the exit, much to their chagrin. It was while in a
minibus headed to Addis Ababa that the call I dreaded most came from
Wudasie. She informed me, amid deep sobs, that Abishag had just
passed on. I let out a scream of grief which startled everyone in the
minibus, forcing the driver to stop momentarily. A wave of despair
pervaded my whole being and a barrage of questions filled my mind.
How could she depart just like that and how was I supposed to live
without her?
As I approached the hospital, I hoped and prayed that
Wudasie had got it all wrong and that my Abishag had only slipped
into a comma which she would come out of eventually. But when I
reached the Intensive Care Unit, my worst fears were confirmed.
Abishag's lifeless body lay there, the implanted cardioverter
defibrillator having been deactivated and the food and fluid tubes
removed from her. The deep sense of grief and loss in the room was
palpable. Abishag's mother was missing and I learnt later that she
had collapsed on seeing her deceased daughter and was being attended
to within the same hospital.
Mr Asfaw, myself, other family members and close
friends started planning for Abishag's burial. According to the
dictates of traditions and rituals, Abishag's family was supposed to
express their grief openly by crying loudly and beating their chests,
to cause physical pain as a way of showing the extent of their loss.
Relatives and close friends would visit the home of the deceased and
share in the outward display of grief, bringing with them food and
drinks, as the grieving family was not expected to cook or do
household chores. Normally, the burial would be conducted right away
and people would meet at the church where a priest would preside over
by saying a few words. The crying and beating of the chest would
intensify as the procession made its way to the burial site, with the
most intense display taking place when the casket was covered with
earth. Usually, both men and women would shave their heads and wear
black clothing while family members would not eat for at least twenty
four hours.
But being a staunch Christian who strongly believed in
the infallibility of the Scriptures, and who had been away from his
country for quite a while, Mr Asfaw broke with tradition. I totally
recall sitting at the front row in church next to Wudasie who had
rested her head on my shoulder. Her dad and mom who sat beside us
were being consoled by esteemed male and female church members
respectively. When time came for me to recite the poem I had written,
eulogizing Abishag, Wudasie tightly held my arm and walked with me to
the podium. A deathly hush fell over the church the moment I began
speaking. “My lovely dove whom I treasured with all my heart, you
have slipped out of my hands leaving me deeply hurt....” my voice
trailed off as breathing became difficult. Everything started
becoming hazy. The last thing I remember was feeling giddy and going
weak at my knees. When I regained consciousness, three and a half
hours later, Abishag's burial ceremony was over and people were
conversing in low tones.
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